Saturday, January 21, 2017

love all around

so much going on in the world this weekend, right here in my own country, particularly. and i have to admit i'm baffled by some of it. but this is the statement i'm making right here, this giant quilt block. this is the flag i'm flying today and always: love all around.

political stuff is still shooting around well after the votes are in and the decision was made, the president elect announced. i've watched with sinking heart for so many reasons, but mostly over the way people are behaving. i've seen countless posts the share views the polar opposite of mine and i've just let it be. there is a time to engage in healthy, open opinion sharing, and there is a time to just let others voice their ideas without needing to respond with more than a listening ear. and hearing, seeking to understand, is so very important in all cases.

i knew inauguration day was hard for many people for a variety of reasons. i know what it's like to be scared and depressed when a new president is sworn in. so yesterday i was feeling all kinds of things for all the people around me, all the people on all the sides.

that's when i saw laura's "love all around" block and was introduced to may chappell's block campaign that so perfectly harmonized with what i was feeling at the core of all this mess.


i happened to have the better part of the whole day and evening available to me since my husband was away for the night. my scheme was to knock out tons of quilting. i had my "star of the circus" quilt to finish and wanted to get going on my "swoon supreme" quilt, too. but when i saw may's block and read her words, i dropped everything and spent hours making this one giant quilt block. i needed to make something that told people how i felt, that especially told the people who have different views how i feel toward them.

and i just happened to have several pink shades of kona cotton on hand, which i'd been intending to use in a large star quilt anyway. sure, the color layout was different than my original design, but the actual pattern was identical. also, i've been considering making a quilt for my aunt lynn, who is battling breast cancer. what better quilt than one with pink hearts that also sort of resemble pink ribbons, that was named "love all around"? i was sold.

i chose four shades of pink to make the four hearts meeting in the middle, arranged in a setting of love going round and round endlessly. four different pinks, but still all pink. different but the same. four hearts in four different directions but all meeting in the middle, all finding space for each other.

the whole afternoon as i worked on that quilt, i thought of why i was making it and what it meant to me, what it represented. i finally finished the block around sunset, too late to get a nice photo. but i wanted my message to get out there, so i photographed it in the worst possible setting (on the floor, at night, in artificial lighting) and put my post out there on instagram. it was a terrible representation of the block from an aesthetic point of view, but it allowed me to make my point.

here's what i wrote:

I sat quietly by through the ugly, upsetting political scene of recent times, holding my peace; not liking, not commenting, just observing. But today I saw @maychappell 's #LoveAllAroundBlock campaign and had to speak. 


I had to speak so badly that I spent my rare and precious free sewing time making this giant 48" block. And I'm posting an ugly nighttime photo, too, because I couldn't wait for better light tomorrow once my block was done. 


I am not sorry to see Obama go, I was not with her, nor am I an excited and celebrating Trump fan. But I do know and care about people in all those camps, and I am so tired of the divisiveness and fingerpointing and garbage. 


Love All Around is a political statement I am willing to, no, NEED to make. 

And by Love I mean kindness, compassion, tolerance, willingness to listen, crossing of lines, holding of hands, finding of similarities to build on. 


I love how May said, "If you don’t have anything nice to say, don’t say anything at all. Or maybe keep thinking and find something nice to say!" #MoreOfThisPlease Read her thoughtful post and find her block tutorial on the blog linked in her profile. #PoliticalQuilts #QuiltsAreLoveMadeTangible


and for the record, i'm not a feminist and i'm not marching anywhere this weekend, either. but if i was marching somewhere, this would be my flag and my message above all others: Love All Around.



i made the block in the exact same way i made my big star hst top. like i said, the method is identical, only the number and layout of colors are shifted. it's also slightly different from may's block design in that i didn't use accent hsts in the corners. but it's my version of her block that fits my needs.

i was moving at an accelerated pace while trying to pay attention to accuracy. however, once i started squaring up my blocks, i found i'd still managed to distort things just a bit. so i gave up squaring after 3 blocks. why bother if some were barely oversized and others barely under, anyway?

maybe that's why a few of my points didn't match up once pieced. unfortunately, the center points where the 4 heart shapes meet is not precise. but i think there's a certain appropriateness to that. even when we try our best to meet with love, things aren't perfect. and that's okay. when you step back, it all looks good and works out well. love can overlook such imperfections in the face of all the beauty.



i got the block for the center of the quilt top made. now i just need to add the borders and i have a complete flimsy. my last big hst went together so quickly that i expect this one will be done in no time, also. then i have to piece a backing. so far, the printed fabrics on the right are my picks. i'll need another bright pink or two to round them out.

then my aunt will have a quilt to wrap herself in, with Love All Around her.

Saturday, January 14, 2017

good habits


sewing isn't all just sitting at the machine and zipping fabrics through.

there are maintenance chores to be done on a sewing machine to keep it in good running order and little clean ups constantly needed to maintain a creative space one can actually move around in.

i have developed at least one good machine maintenance habit: i clean out the lint regularly.

i don't change needles often enough or oil the machine as much as i probably should, but i do have a habit of swiping out all the lint each time i change the bobbin. i keep the lint brush close by and use it whenever i have the bobbin case open.

what are your best and worse habits?
how do you make them part of your sewing routine?

Saturday, January 7, 2017

having options or how to manage project ADD


i have project fidelity problems.
also know as project ADD.

i just can't stick to one project from start to finish without switching it up. part of this is because i like variety in my creative life. part of this stems from having a limited amount of time to play with my quilting, also known as splishing and splashing with my stash.

if i do get some time, i'm not going to spend it slugging away at something my heart isn't into at the moment.

this is my hobby, after all.
my play time.
i want to have fun while i'm at it.

occasionally i can be a good girl and stick to something just for the sake of getting it completed. more often than not, i go with what i feel at the moment. since my sewing is not obligatory, i don't feel the need to do otherwise.

hence the fabric floor party going on above: fabric stuffs in various stages of quilt process assembly all over the place just outside my blue sewing room doors.

i like to have a number of projects going at once that are all in different phases of the process. that way i can decide what to work on depending on what part of quilt making i feel like tackling when i have time.

yes, i like my options.

at the moment, my main projects are:

quilting queue:



quilting penny patch 2.0 (which i already gifted in it's unfinished state to my mom for christmas. this is an unintentional family tradition, started by her many years ago. it's just the way my family does things. try to make something for a holiday gift and give it anyway if it's not done. finishes will come later.)

you can kind of see the quilting in the photo and kind of not. currently, in the new year, i mark off one 4sq x 4sq grid at a time. i try to do one of these a day, or at least a couple a week. i've nearly completed 8 of the 14 rows, which means i'm 4/7ths finished with the quilting. a couple more weeks at my current rate will see it done.

since april, when i found out my mom has stage 4 colon cancer, (about a week or two after my husband's accident) and i decided to gift this quilt to her, this has been my priority project. but as hard as i tried, i couldn't make myself do only this. my time was so infrequent and sometimes i couldn't face the fmq. interspersing it with other projects is actually helping me get it done more quickly because i'm enjoying my quilt life more, which means i get up early to quilt more often.

 this beauty has been folded up on the couch just outside my sewing room since april, also. i was doing one row a day right after the accident just as a few quiet moments of therapy at the beginning of my day while my husband was still in the hospital. i was loving it, but set it aside once penny patch 2.0 took priority. a few days ago i decided to add it to the mix, just for fun. one row of those modern loops every now and then doesn't take much time at all.

today i was doing my one row of loops and ran out of bobbin thread right where my finger is pointing - about two loops from the end of the row! ugh. thread burying two stops and starts just for two loops. maybe i'll just leave this row as is.

piecing queue:


my big star hst quilt (here and here), at the back of the top photo.
it still needs the neutral borders put around the star and then the flimsy is done.

i'm also prepairing for putting the backing together, hence the large swaths of fabric laid all over the floor.

A photo posted by @hydeeannsews on

d3's christmas quilt flimsy is done, it needs a backing also. that's the green piece in the top photo. the top is under my star quilt pieces, which is pretty accurate for where it falls in priority: on the bottom. the stars really have to align if i'm going to give sewing time to kid projects right now. i do try to be a good mommy and fit those in once in a while.

this next project is in a couple stages, so it can be a piecing thing or it falls in the

cutting queue:



my gypsy child hst quilt
(here and here)

there's still this lovely pile of pairings to be cut into 3.5" squares, hsts to chain piece, or hsts to be trimmed after pressing.

i get to just take my pick.


this is my plate of the completed hsts so far.

i need 21 sets like these. with 7 finished, there are plenty more to work at.
(darn. i did mean to crop that dark corner out of the photo.)

so that's what i'm hopping and skipping around in these days.
and as much as i like to go by the spontaneity of what feels like fun at the moment, i do have a method for adding responsibility in the mix.

first, i decide if i feel like some clean up needs to be done in the studio. fabric folding or whatnot. sometimes that happens. if the room is clean enough, i choose to either do cutting/trimming chores or sit at the machine.


when i'm going to sit down to the machine, these ladies keep my moving around.

let me explain.

once apon a time, i hated changing threads or feet for projects and mostly just worked through whatever needed doing until a change was required. now i don't mind a bit the few seconds it takes to swap out feet or thread. mostly i still let the bobbin dictate what i do by working on a project until the bobbin runs out. that's my signal to move on. i keep my machine projects rotating by the bobbin and it really mixes things up for me, satisfying my taste for variety.

by the way, that pink thing holding the bobbin and spool together is the june tailor thread mate spool and bobbin pin. it doesn't actually fit the aurifil spool snugly, it's sized for standard spools. but it does help them stay in place well enough to keep my threads together.

the grey thread (aurifil 5021) is for the big star hst quilt.

the blush pink thread (aurifil 2415) is for quilting the loops on the triangle quilt.

the white thread (aurifil also) is for quilting penny patch 2.0 or piecing the gypsy hsts.
note the two bobbins here. i got to a section stopping point on quilting and saw the bobbin was pretty low, so i simply removed it and set it aside for piecing at another time, and put a full bobbin in place when i started quilting again. no way was i going to start quilting with only that much thread on the bobbin because it would require a stop (and burying threads) quite soon. piecing with it wouldn't be such a big deal.

in addition to the bobbin, i have a set amount of each project i will work on at a time: a row of loop quilting, a 4sq  x 4sq section of orange peel quilting, a set of hst pairs. i make myself either change projects or go do something else when i reach the end of a project's designated allotment. this keeps me from sitting at the machine too long (bad for the body) and from getting lost in the quilt studio when i have other things to do.

winter break has given me a nice chance to pick up quilting again. i hope it continues when our regular schedule resumes next week. if i can just get myself up a little earlier in the morning, i like to work for a small amount of time on whatever project the bobbins dictate.

how do you decide what to work on?
do you have a rotation method or just decide what you feel like?

Friday, December 2, 2016

big HST ideas

any of you longtime bloggers out there ever think of renaming your blog? i toy with the idea on occasion. the original name of this blog no longer really fits my sewing, especially since i moved my sewing space out of my bawthroom. but splishing and splashing (or only getting to dabble my fingers in the waters randomly) does sort of fit the way i get to play with my stash these days, and renaming or rebranding oneself on the internet isn't always the smartest nor easiest move. however, if i were to rename this space, i think hst quilts, which would stand for hydeeann sewed these quilts, would do nicely. it would be a play on words that nods to my love of the classic and endlessly adaptable hst shape. for now, this stays a splishing and splashing stash zone.

and a place where i will continue playing with the hst on many different levels.



like this big star quilt i dreamed up and immediately put into practice earlier this week, before i fell too ill to complete it. because despite all my best intentions and personal vows to complete what needs to be completed, i can not force myself to do any more fmq until i take a break and get some itchy ideas out of my system! i just simply can't. so i did this one little big thing on tuesday.

i've been wanting to play with solids in a big, bold, modern kind of way, and in a funky color palette, for quite a while now. something along the lines of this inspiring design:


somehow, the other night i got obsessed with the idea of making one large star out of hsts that would be really fast and a bit of fun for me before i got back to the grindstone of the quilts that i absolutely need to finish soon. (we won't even mention names because this topic has been way overdone here. you know who they are.) i consulted the hst handbook Patchwork Essentials: The Half-Square Triangle: Foolproof Patterns and Simple Techniques from Basic Blocks by jeni baker to get an idea of scale and see if she had a pattern similar to what i was imagining.

there was one pattern that featured 17" blocks, which was larger than i wanted. but it gave me a few tips on dealing with the large size, and i was off to the sketchbook to make my own design. a basic 8-point star, composed of 12" finished blocks felt right. i didn't want a mammoth-sized quilt, just one i could whip out really easily and be done with. maybe one that would be good for handquilting when i felt like some handwork over the holidays. but i also don't like square quilts. (i don't know why, but the ratio just feels off to me, like it's going to be too short to cover someone's feet, no matter how large it is. just one of my weirdness-es.) so a 48" square center with some top and bottom rows of smaller hsts to stretch it out seemed right. i wanted some space for my colors to shine, so i added in a small neutral border around the center star to give it some breathing room from the hst rows. can you see how simple and fast this was going to be?

the very next morning, after my pilates class, without going home to shower or change (because i might get sidetracked by a child needing something or some such nonsense), i went to the fabric store for some solids. the color palette i had in mind was inspired by some quilters i follow on instagram:





i like the way these ladies have mixed deep tones with lighter and brighter ones, and wanted to play with some warm orange and golden colors against navy blues, with a dash of really light pink thrown in for some real contrast. in the end, i realized this color palette is rather a mash-up of what i've been working on this year: navy and orange from the wonky quilt for s1, and golden and pink tones from my triangle quilt. interesting how that worked out.


at the store, i pulled a pile of colors from the kona solids line up, knowing i had at least two more navy blue ranges at home (leftovers from my sons' quilts). then i took a photo of my bolt selections because solids don't come with marked selvages! i had the bottom bolt turned around, but i do happen to know that's curry, the color i used for the backing on my golden-and-rosy triangle quilt. with butterscotch, i was trying to add in a bit of tan neutral that was in the same range as the curry color. it looked great in the store. at home, it looks almost identical. oh, well. i'm learning as i go. i also selected two more light neutral colors, but didn't photograph the names. i don't see this being a problem since i was going for a mix of creams for my neutrals and there are several. anything would work if i needed more for the neutral sections.

so here's the sketch and the colors i purchased in half-yard increments. (the other navies i was using, cadet and windsor, are not included in the photo.) colors left to right: 3 cream neutrals, including champagne, storm, butterscotch, curry, peach (which i think is a pink, not a peach color), kumquat, and tomato.

i came home, after a quick stop at the bakery on the same side of town as the fabric store, and began pressing everything right away.

to make 12" finished hst blocks, i needed 12.5" unfinished blocks. so i cut 13" squares to make the hsts from. these would be just slightly oversized, to allow for trimming and increased accuracy.

cutting a 13" block turned out to be really simple with my mat and 2 - 6"x24" rulers. i lined the fabric up on the mat and just used the lines to make sure there was 1" between the rulers to get a 13" cut. i know some people (like mother louise, who taught me to quilt!) disapprove of cutting with the mat measurements, and for reasonable cause. but ever since i saw camille roskelley do it in a craftsy class, i have adopted the method and love it. please forgive me, louise. i don't find my accuracy compromised as of yet.

then i turned the rulers the opposing direction in the same manner and made the cuts needed to produce the 13" square. luckily for me, i plan to use 6" finished hst blocks for my top and bottom borders, which will perfectly utilize the apporximately 7" leftovers from my cuts. i do love when things work out so neatly like this.

because i wouldn't be pairing each set of colors the same way each time, i couldn't use the double hst making method, but had to cut each square on the diagonal (bias edges!) and sew the pairs together from there. i made four blocks by pairing colors with colors, going for contrast in my pairings, and 8 blocks by pairing a color with a neutral. i could have made my corner squares from square blocks or hsts, and chose the latter for more added subtle interest in the quilt top.

once i had my squares all cut, i began playing with the star's center configuration. it was at this point that i realized i needed another color to make things even. sigh. i had 7 colors but really needed 8 so i could use each one twice: once in the center and once in the star points. trying to balance everything by using one color more than once was more thinking than i wanted to do, so adding in a color was the only way to go.

i was definitely not going back to the store and all the plausible solids i had on hand were sized too small to make the proper sized cut. there was one greenish/ochre color i really liked with the rest, but it was too small. so i had to adjust my color palette a bit and add in a very light blue, which i wasn't too excited about. but in the end, it works nicely and i've gotten used to it.

then i had to decide on the configuration of the center blocks:

pinwheel

all in one direction

diamond
after looking at each, i chose the pinwheel.

then i squared off each block. this is where having a ruler the exact size of my block and a rotating mat came in handy.
the blocks were only very slightly oversized once pressed open.

i aligned the seam of the two triangles with the diagonal line crossing the ruler, all the way across. this will produce the most accuracy when sewing the blocks together.

because there was a little wiggle room, i could also ensure that the ruler fit within the block all the way around. then i just sliced off the tiny bits outside the lines to get my perfect 12.5" squares.


after 4 hours of pressing, sewing, and trimming, i had the main square portion of the top completed. that kind of depressed me. i thought i should have been able to complete 16 large hsts more quickly. but i just have to live with not being faster than that. if it had been a lazy weekend day, i could likely have gotten the rest done. but it wasn't that sort of day and i had to move on to family responsibilities. so my play time came to an end.

i also expected to be able to quickly finish the remainder of the top in the next day or two, but was laid low with some nasty chest congestion and cough-inducing virus the very next morning. so stay tuned to see where this goes! i'm well enough now to post about it. maybe i can finish it soon after all.

and then i will definitely be back to finishing something before the year is up.
i do hope.

and the next color combo i'm dreaming of playing with, probably in some form of hst or other?

this, by the brilliant suzy quilts:


Saturday, October 22, 2016

quicky trick or treat tote

my 8 yr old, d4, decided she was in need of a new trick or treat bag, so we cobbled one together this afternoon. there are bag tutorials aplenty out there, but i chose to just wing it. not necessarily the smartest move, but i find when i'm making something fairly simple - a square with two straps - it can be instructive to figure out the construction myself.

we made a very basic, unlined bag for her to gather her halloween night treasures in. i'm sure some interfacing would have stiffened things up nicely, but we were going for really simple and quick. a lining would have been a bit more professional, too, but again, not absolutely necessary for our purposes.

halfway thru the making process, i remembered there was a pattern for a similar bag that s2 made for his sisters several christmases ago. its in the lovely book "sewing for children" by emma hardy (bn or amazon). that bag was lined (slightly more complicated) and used thick grosgrain ribbons for the handles (easier). if we hadn't already been half done, i would have used that pattern again.

 we started with a fat quarter and 2 jelly roll (2.5" x 42") strips of orange. d4 wanted a bag that hung to her hips, otherwise we could have used shorter strips.

 first we folded the fat quarter in half, wrong sides together, and cut a 12" x 12" square. this size was selected based on eyeballing what we wanted and adding a bit more for seam allowances. i will note that d4 did not think it would hold enough candy, but mom is sure it will hold plenty.

at this point, i remembered to press the fabrics. if we'd wanted a more durable bag, prewashing would have been essential.

 to create a clean line on the top of the bag, we hemmed it. first, mark a 1/2" along the top of the bag on the wrong side of the fabric. we used a hera marker to make a crease. a washable marker or pencil works, too.

 fold the fabric along the line and fingerpress in place.

 then iron smooth.

 fold over and fingerpress again.

 iron smooth once more.

and this is where i should have inserted the straps into the seam allowance of the hem, but forgot to. it worked out fine, but it did involve some seamripping later on.

 i had d4 sew a 1/4" seam using the seam guide foot.

 but i decided we wanted that flap of the hem closed more fully, so i had her do it again at a scant 1/2" seam, putting the stitching right on the edge of the fold. so now it's reinforced and she got some more sewing practice.

 then we folded the body of the bag in half, right sides together, pinned it in a few spots, and made a 1/2" seam along the side and bottom. because we cut the body fabric while it was folded in half, we didn't have a third seam along the other side.

when the body seams are done, turn the bag inside out and press flat.

 to make the straps, fold in half along the length, press flat, and sew with a 1/4" seam. (you can see in the photo that d4 accidentally sewed along the folded side first time around. no worries: sew the correct side and get cozy with the seam ripper.)

once the strap is sewn, turn it inside out. i used a combination of the safetypin and pencil method.

our straps were 42" long, a bit more than we needed. i simply draped them across d4"s shoulder to determine where she wanted the bag to fall, and trimmed there (with a bit more for seam allowance). i think we took off about 8".

 this is when i realized i should have done the straps at the beginning for a cleaner look. to correct my mistake, i simply seamripped a gap where i wanted to place the handles. if you're making a really quick bag you don't intend to keep or use much, and aesthetics aren't a big deal, you can simply attach the handles to the inside of the bag without inserting them into the hem.

but i seamripped where i wanted the handle placed, with a few stitches wiggle room on each side, and inserted the strap end, pinning in place.

 then i sewed over it a few times to secure, and to secure the ends of the hem where i'd seamripped. fortunately, the fabric we were using hid all the sewing pretty well. it blended right in.

then i folded the strap up, away from the bag and sewed close to the top, to help the strap lie flat against the hem, and backtracked to make it a bit more secure.

 not very pretty sewing, but at this point d4 had moved on and i was scrunched up at her little (pink) brother machine, on a very short table, trying to see well enough to backstitch. it came out rather slanted. not that i cared too much. it's her loss for abandoning me!

i attached the straps on the very outside corners of each side of the bag, and made sure to fold them in a u-shape when i sewed the second side of each strap on. this helps the straps lay nicely on the shoulder when wearing them.

if i hadn't been letting an 8 yr old do most of the sewing, and had to deal with various other interruptions, it could have easily been completed in under an hour. as it is, it took more than that. but who's counting?

despite the fact that we did this quickly without lots of the nicer finishing touches like interfacing or lining, d4 is very happy with it and declared "this looks like a bag from the store!" i supose compared to the first tote she made all by herself, with no hemming and christmas fabric, this bag did turn out a bit more professionally.

now all we need do is wait out the week until we can fill it with candy.

Tuesday, October 11, 2016

wip tuesday

 my quilt life is so very small right now. a few times a week i snag some time to work away at the quilting of this penny patch 2.0, and that's about it. i'm aiming to complete 3 quilts before the end of this year: penny patch 2.0, my triangle indian blanket quilt, and (always) my son's wonky blue and orange quilt. all 3 of these quilts just need to be quilted and bound. that's it. but even with a full quarter left in the year, that's going to be a tall order.

i've begun to venture into the online quilting world again, stopping in at my instagram account and visiting some blogs occasionally. it gets me antsy to create and make something new once more. but for now, i'm going to have to be content plugging away at finishes.

and endlessly burying threads when not at the machine,
which is exactly what i was doing sunday after church. i'd like to say i sit around nicely dressed, handstitching on quilts regularly, but that wouldn't be true on either account.

my poor over-forty eyes are finally feeling the macular degeneration that comes with age and i have to take my work out into the sunlight to see those threads and tiny needle eyes. the blur of this photo matches what i see pretty well!

at least i've got my hands on fabric.
and quilts will be done soon-ish.

good enough!

happy quilting friends, from the slowest quilter on the planet.

Tuesday, September 20, 2016

on the mend and a sewing corner by monet

 we are mending.

life as we knew it is coming back together in so many ways, with the added benefits of newfound perspectives and gratitudes. thank you all for your comments, concerns, thoughts, well wishes, and prayers. they have been noted and felt. you all have been in my heart and at the back of my mind thru all of this. after three weeks in hospital and rehab, countless dr visits and daily hours in physical therapy, and even a few healing vacations, my husband is miraculously nearly back to normal.

but that doesn't mean i'm sewing yet!

however, summer is not traditionally sewing season for me anyway. it's usually family time and travel. but i always keep my eyes open for sewing related sights, no matter where we go. this year we ventured abroad for the first time, taking our oldest daughter on her "senior trip" for two fairytale weeks in france.


ever since we studied the impressionists, my favorite artists, in a homeschool unit when my oldest children were mid-elementary age, d1 has dreamed of visiting monet's garden in giverny. i never thought this was a real possibility for us, but somehow it happened.

and while we were touring the house, i came upon the most charming surprise - a sewing nook. you'll have to excuse the photo quality since i was working in a very cramped space with poor lighting in the hallway and a constant flow of tourists. i hope you get the general idea despite all the imperfections.


 at the more domestic end of the house, upstairs from the kitchen, just off the stairwell and short hallway, was a blue door with windowpanes, which looked in on a tiny alcove.

 opposite the door was a pair of windows overlooking the gardens below. there was a small space to each side of the door and windows. just enough room for a seat and sewing machine.

 there was a pedal sewing machine to the left.


 and a blue wicker-seated chair on the right.

 some exquisite white garments, probably infant clothing, and linens were on the seat to the right.

 so much glorious daylight was flowing in thru those windows, and the view was unbeatable. it was quite a small space - no room for a stash or design wall or storage of most any kind. yet it was perfect. i could imagine sitting there for hours, stitching away by hand or machine, looking out over the gardens. what a peaceful, contented experience that would be.


A photo posted by @hydeeannsews on

in the meanwhile, my own sewing space is hiding behind its own blue (windowless) doors, waiting for my return. i've worked a bit on a project for a sick relative in need (more later) and my son's quilt is crying out for completion. but when is the question. i've been so disconnected from sewing and the community, which i've missed. there are decisions to be made about my gypsy wife project, which megan has gamely carried on without me. i have no answers, friends.

one thing i've learned thru all of this is that as entrenched as i was in the online community, as much as sewing and my sewing friends meant to me, it really could all be let go when real life called. not that the people here aren't real and really lovely. not that i didn't (don't) value the hobby and connection. but there are times when we must step away and first things, first priorities in life, become our only things. our only priorities.

we are mending. we are well.

i will see you when i see you.
happy sewing to the rest of you in the meantime!